12.20.2006

Snow Day


Sweet. (Those are lounge chairs buried under all that powder.) We've gotten at least 12 inches in the past 9 hours, and we're supposed to get 10-12 more through tomorrow. It's bad enough that the Governor has declared a disaster emergency. I'm really glad I'm not traveling for Christmas vacation today or tomorrow.
WATCH
Spider-Man 2

12.18.2006

Hey You. Yes You.

Every year, Time picks their Person of the Year (formerly known as Man of the Year until they got beat down by the PC Police) who has had a major impact on the world over the past 12 months, and this year, they totally copped out. This is a half-assed attempt to address the fact that ordinary average citizens are contributing more and more to the global conciousness through blogs, MySpace pages, and photo and video-sharing (on sites like YouTube, which anyone with a tiny level of awareness will recognize on the screen of the iMac on Time's cover).

Personally, I'm not sure how much the majority of bloggers and YouTubers are contributing to the greater good of the world (seriously, how many more people do we need talking about music and movies?), but all this "user-generated content" has opened a lot of doors to a lot of good music and funny videos that were previously tough to find before we could all just email them to each other. Once again, the Internet has leapt forward by providing us with more ways to waste time.

On the other hand, some things are worth the time. Here are two particularly funny videos I've come across recently. The second one is most definitely NSFW.
The Scrubs/Charlie Brown Christmas mashup (Thanks to Cynthia for this one)
Saturday Night Live's Special Christmas box
READ
All the Pretty Horses, Cormac McCarthy

12.17.2006

Poster Exchange

While I may not agree with all the choices, I like Sam Smyth's idea of ranking 2006's best movie posters. After a long period of predictablity and unoriginality, interesting and creative design is beginning to make a comeback, at least for movies outside the realm of the typical blockbuster. My personal top pick would be the above poster for The Illusionist, but then again, I'm a type nerd.
WATCH
Scarface
Superman Returns

READ
The Hitchhiker's Guide to the Galaxy, Douglas Adams

12.13.2006

The Golden Child

I haven't posted anything about soccer in quite a while, but Monday brought the surprising news that DC United had traded starlet Freddy Adu to Real Salt Lake. Freddy was packaged with backup goalkeeper Nick Rimando in exchange for RSL's backup 'keeper Jay Nolly (who's younger and has a much lower salary than Rimando), a major player allocation, and future considerations. When my dad first emailed me the link, I thought it was a joke, but after more consideration, this seems to be a pretty good trade for almost everyone. United unloads a high-profile but somewhat temperamental teenager who hasn't always had the strongest relationship with his coach, and who also seems very likely to move to a team in Europe this summer once he turns 18 (FIFA rules prevent players from playing for teams outside their home country before their 18th birthday). They also move a goalie whose salary was much too high to be a backup and could be starting on several other teams in the league. In exchange, they receive a lot of cap space, the ability to sign several high-profile players they've been scouting before the season begins (rather than in the middle of the year, which would have been the case had they held onto Freddy and he left for Europe), and still receive a good portion of the transfer fee if Freddy does end up being sold to a Euro team.

For Freddy, he gets reunited with his Under-17 coach, John Ellinger (now coaching RSL), and gets the chance to play his preferred position in central midfield. At DC, he was stuck behind reigning MVP Christian Gomez, who DC just re-signed to an extended contract. In Salt Lake, he has the chance to be the Man.

The only party who has the chance to lose out on this deal is Real Salt Lake. Right now, they're going to enjoy the bump in publicity (and likely, ticket sales) as Freddy's presence should attract a lot more casual fans and their pre-teen children. But if Freddy does jump ship and head to Europe in the August transfer window, RSL takes a big credibility hit and is left holding the bag on this trade.

This trade actually got some play outside of the traditionally soccer media, most notably on Sportscenter and even rated a mention during halftime of Monday Night Football. There's been plenty of coverage in newspapers and on the internet, and I've included a variety of links below. Prepare yourself for a whole bunch of bad puns on "Adu/Adieu".
DC United/MLS Press Release
United Trades Adu, Washington Post
It's A Win-Win for Adu and United, Washington Post
DC Deals Teenage Star Adu to RSL, Salt Lake Tribune
Adu's Arrival Leads to Lineup Questions, Salt Lake Tribune
Furor Over Freddy Might Not Last Long, Salt Lake Tribune
Much Adu About Nothing (oh, how original), Sunday Herald
Adu Bids DC United adieu, traded to Salt Lake, ESPN/AP
Adu Starts Over in Real Salt Lake, ESPN
Adu Still Hampered by Unrealistic Expectations, ESPN
DC United Reap Rich Haul from Adu Trade, ESPN
"Best Place for Me", SI.com/AP
Five on Freddy, SI.com

And in other soccer news, after a long and fruitless pursuit of Juergen Klinsmann came to naught, US Soccer announced that Bob Bradley, former coach of the Chicago Fire, NY/NJ Metrostars, and Chivas USA and former US National team assistant, has been named interim head coach of the National Team. An odd move, and one that has been much-debated by soccer pundits since Bradley is perceived by many to be a chip off the block of Bruce Arena, the coach US Soccer just fired. I think Bradley may turn out to be a better choice than most people seem to think, but only time will tell. Here's a few links on that as well.
Official US Soccer Press Release
Bradley Named US National Team Coach, ESPN/AP
Gulati Right Not to Rush the Decision, ESPN
Search for a New Coach Far from Over, ESPN
Bombshell of a Day, SI.com

12.09.2006

Ski School

This is me, on skis and smiling. I post this picture because this is the first known occurrence of this combination. In the past, skis and I have been like oil and water. Downhill skiing, water skiing... it didn't matter where I was, I did not like the feeling of a big board strapped to each foot. But today, that changed. I took my first cross-country lesson, opting for skate skiing (side-to-side motion) over classic (back and forth motion). As the name implies, to move yourself forward, you push off in a skating motion, as if you were ice skating or rollerblading (which helped me). I had my share of falls, some rather spectacular, but I had a good teacher, and I feel like I started to pick it up pretty quickly. By the end of the day, I was skiing 2-mile loops without falling... very much.

What I liked about this type of skiing is that is more about moving yourself and a lot less about just trying to stay upright. Once I got the motion down, it was pretty easy as long as I concentrated on keeping my weight shifted forward, and the area where I was skiing (Snow Mountain Ranch in Fraser, CO) is absolutely gorgeous. I pretty much only skiied one trail today, but I've got enough gear now that I can go back anytime I want, and I'm already planning my next trip so that I can explore more of the ranch.

That is, if my body ever recovers from today. Ow.
WATCH
Collateral
March of the Penguins/Of Penguins and Men

12.05.2006

The Critic

It's been about two weeks since my last post. Here's my attempt at a brief review of all the books, movies and music I've absorbed since then:

Casino Royale. This is not your father's James Bond. I admit, I was a little skeptical of Daniel Craig (above) taking over the role, but any doubts I had went out the window once the movie started. Without a doubt, this one is top 3 in my list of favorite Bond movies, behind only Dr. No and Goldfinger. Why did I love it so much? No ridiculous gadgets, no cheesy lines, and no fight scenes where Bond barely breaks a sweat. As Judi Dench's M refers to him in one scene, Craig's Bond is a "blunt instrument". This is Bond as Ian Fleming intended him to be—a brutal professional hitman who gets the job done and then drinks and screws his memories away. By stripping the character down to his origin (much like Batman Begins did for the Batman franchise) and conciously trying to echo the tone of the earliest Connery films, Casino Royale gave James Bond exactly the type of reboot the aging, graying franchise was in dire need of. The suave, smooth secret agent so many of us had come to know in the Roger Moore—Pierce Brosnan years had become irrelevant, and it was either time to retire the character or start over. They made the right choice. The opening chase scene following the credits is one of the most intense stunt scenes I've ever seen, and Craig plays Bond with just the right mix of cold calculation and darkness. I very much hope he gets a chance to play Bond again, and I hope the filmmakers continue in this vein.

Inside Man. Spike Lee's layered bank heist film was worth watching just to see Jodie Foster play completely against character as a powerful "problem-solver" for New York's elite, but I was pretty disappointed in the twist ending. After all that build-up, I expected more. Still, I was surprised Lee went so mainstream with this film until I noticed he managed to throw in a few subtle touches that made me think he's still trying to subvert the system, this time by working through it.

Bobby. Emilio Estevez surprised me with the depth and deftness of his directing on this huge ensemble piece following a variety of characters in LA's Ambassador Hotel on the day of Robert F. Kennedy's assassination. If only his pacing could have been as good. The movie has an incredible cast, but after spending so much time with each of them, I was exhausted by the time the fateful event arrived. A little editing might have made this a fantastic movie. Instead, it was OK.

Nacho Libre. Jack Black wears a wrestler's mask, a monk's cowl, and a polyester jumpsuit and acts silly in Mexican-accented, PG sort of way. Good for a couple cute laughs and not much more.

Superman, The Dailies: 1939-1942. A nicely-packaged collection of all the Superman newspaper strips from the early WWII era gives an interesting look into the origin of the character. At this point, Superman spends most of his time fighting foreign agents and gangsters, rather than the supervillains we've come to know and love. Clark worked for a newspaper called the Daily Star (not the Daily Planet) and Superman's powers were quite a bit different from what we know today. They were influenced by gravity, not the sun's yellow rays, and there's no sign of heat vision, freezing breath, or flight (he can leap tall buildings in a single bound, but he can't fly over them yet). Also yet to appear is any sign of political correctness. Most notably, Clark's condescending attitude toward Lois, who constantly tries to scheme her way off the Love advice column and into a "real" reporter's job.

Girlfriend (Legacy Edition), Matthew Sweet. This 1991 album gets the well-deserved double-disc deluxe treatment. The first disc is a remastered version of the album plus three demo versions from the Girlfriend EP, and a second disc contains Good Friend, a collection of live and alternate versions of songs from Girlfriend, as well as a few covers that betray Sweet's influences. The highlight here is a live cover of Neil Young's "Cortez the Killer" with the Indigo Girls. Listening to this disc again takes me back to the moment when I discovered "alternative" rock. After a steady diet of hair metal in high school, I was ready for something different when I got to college. Girlfriend dropped right around the same time as Nirvana's Nevermind and Pearl Jam's Ten. But while those albums sometimes get dialed up in my iTunes as period pieces from the days when grunge ruled the earth, Girlfriend withstood the test of time. I listen to it as often today as I did 15 years ago.

Here's a crapload more music, either bought or downloaded, way too much to review.
A Christmas Album, California Guitar Trio
A Grand Don't Come for Free, The Streets
Ben Kweller, Ben Kweller
How to Grow a Woman from the Ground, Chris Thile
Stay Under the Stars, Teitur
Merry Mixmas: Christmas Classics Remixed, Various Artists
Long Island Shores, Mindy Smith
Awake is the New Sleep, Ben Lee
Try!, John Mayer Trio
Language Sex Violence Other?, Stereophonics
Has Been, William Shatner
Too Far to Care, Old 97's
The Black Magic Show, Elefant
Traveler '06: A Six Degrees Collection
A Baroque Christmas
Nightcrawler, Pete Yorn
Shine, Trey Anastasio
The Duhks, The Duhks
2005 Warped Tour Compilation
Suicide Squeeze Records: Slaying Since 1996
Hopelessly Devoted to You, Vol. 6

11.22.2006

Scrooged


I'm getting really sick of Christmas. Not the actual holiday itself, but all this bullshit capitalistic buildup to it. I mean, stores were already playing Christmas music the first week of November. I hate to break it to these places who've had their decorations up for weeks now, but the only affect they're having on me is making me want to buy my presents online and avoid the stores altogether. But I guess as long as I spend my money like a good little consumer, it doesn't really matter, does it? The whole thing is depressing, not least because Christmas has always been my favorite holiday. Usually, the early hoopla doesn't get to me, but this year, it seems unavoidable, and it's forced me to realize that when you have to listen to two months of hype for a single day, that day is pretty much guaranteed to be anticlimactic. Commercialism is sucking all the magic out of this holiday. Charlie Brown, I feel your pain. So in protest, I'll be celebrating Buy Nothing Day this Friday. Because seriously, does anyone really need to be running out to the stores at 6 a.m. to save $10 on a fucking toaster?

At least someone remembers that it's still Thanksgiving. The New Yorker hired illustrator Chris Ware to create four different Thanksgiving covers (the one above is titled "Conversation"). In a few simple images, Ware is able to deal with some of the mixed emotions that the holidays bring out in Americans, like the double-edged sword of spending time with your family and the fact that there's really no such thing as the Norman Rockwell idealized version of Thanksgiving anymore (really, it's kind of hard to believe that there ever was). There's something about the melancholy mood of these illustrations that I really enjoy, and I love Ware's style. I'm curious to check out some of his books, like Jimmy Corrigan: The Smartest Kid on Earth or his collection The Acme Novelty Library. As a online bonus, the New Yorker also included Ware's Leftovers, a haunting stream-of-conciousness graphic piece about a brother who died in World War II.
READ
Making Digital Type Look Good, Bob Gordon

11.20.2006

Eye Candy

I haven't figured out yet whether this is incredibly cool or incredibly nerdy (especially since the two things are often the same in my mind). Jim at Krazydad created the image above by arranging old science fiction magazine and novel covers chronologically and by hue. Here's his explanation of the piece. The best part is, it only took him a day to do. Thanks to Wired for the link.

Speaking of nerdy, here's my design nerd kicking in. After posting about my love of posters, I've been spending more l time looking at different designs on the web, and I discovered that AIGA Atlanta and Neenah Paper have commissioned some of the biggest names in design to each create a poster for a different punctuation mark. The posters will be auctioned off, with the money going to benefit a guy named Scott Hamilton, a designer in the ATL who suffered a stroke, losing the ability to do most of the things we take for granted, like walk, read, write, use his hands and verbalize his thoughts. Pretty frightening, especially since he was only 42. So not only were these pieces created for a good cause, but the majority of these are inspired works. My favorites? Michael Beirut's "Semi-Colin", Chip Kidd's "My-Hyphenated-Life", and Stefan Sagmeister and Matthias Ernstberger's take on the apostrophe, "Happiness is a warm bang bang, shoot, shoot". I guess being a smart-ass can translate into creativity sometimes. Plus, looking at this work has inspired me to take on a freelance project to design a poster of my own. More on that when I can show you a finished piece.

In other news, I've decided to stop fighting nature and grow a mustache. Of course, I'm sure I'll change my mind tomorrow morning and shave it off before work. But for one weekend, I joined the ranks of such facial-hair celebs as Burt Reynolds, Tom Selleck, Edward James Olmos, and Jason Lee. OK, I'm kidding. I just didn't shave this weekend. Seriously, though, I would totally grow a mustache if Mustaches for Kids would start a Denver chapter.

And finally, since I mentioned Edward James Olmos, I have to talk about my new favorite show, Battlestar Galactica. I finally finished the first two seasons on DVD and I'm now working my way through the current season on my DVR. Yes, it's based on that über-cheesy show from the 70's. But other than the basic premise and the names of the characters, the two shows don't have a whole lot in common. The new one is superbly acted with a pretty impressive cast, and everything about it is based on real science (for instance, no lasers—the guns shoot bullets). But what I like best about this new version is, at its core, it's a drama that just happens to be set in space. Within the framework of the remnants of humanity on the run from the Cylons, the show has dealt with topics like abortion, genocide, terrorism and suicide bombings, imprisoning "enemy combatants", the politics of war, and other hot-button political issues. Not gonna much of get that from Star Trek.
WATCH
Kiss Kiss Bang Bang
Battlestar Galactica Season 2.5: Disc Two
Battlestar Battlestar Galactica Season 2.5: Disc Three
Rock the Bells

READ
World War Z, Max Brooks
Four Plays by George Bernard Shaw

LISTEN
The Best of What's Around, Vol. 1, Dave Matthews Band
The Crane Wife, The Decemberists
And the Glass Handed Kites, Mew
Colorblind, Robert Randolph & the Family Band
Deadringer, RJD2
Chrome Children, Stones Throw artists

11.05.2006

Look! Up in the Sky!


It's a bird! It's a plane! It's my hastily thrown-together Halloween costume! Not bad for 5 minutes of digging in my closet. I got dressed up this year because I went to the Robert Randolph and Gomez show at the Fillmore Auditorium on Halloween night. Aside from me getting my Clark Kent on, there were some great costumes at the show, but the best was a guy who dressed up as Bender from Futurama. He even used real metal for the body. Aside from the Halloween-related tomfoolery (or maybe because of it), the show was fantastic. This was my second time seeing both bands, and both confirmed my first impression: they put on a pretty sick show. Gomez was highly entertaining (also way drunk and in crazy costumes), covering a lot of ground from their five albums. I still don't really know any of Robert Randolph's songs, but that didn't prevent me from enjoying myself immensely as he and The Family Band proceeded to tear the house down, playing in excess of 2-1/2 hours and including a wild cover of Michael Jackson's "Billie Jean" in the encore. From top to bottom, the group are some pretty talented musicians, and at one point they jammed a song out for 35 minutes. Normally, I'd be bored out of my skull if a typical jam band noodled a song out that long, but given the combination of a few drinks, an excited audience, and the energy level of a band that was very happy to be onstage enjoying themselves, I barely noticed. All in all, it was a great night, made even better by the fact that by the time the show ended, it was my birthday.

My parents were in town for a visit this weekend, and we checked out the new wing of the Denver Art Museum today. Good stuff in the exhibits, but the main attraction is the building itself, designed by Daniel Libeskind. Housing your collection in an interesting building definitely adds to the experience, and it's nice to see in a city like Denver. In this country, you don't get much architecture like that outside of LA and NYC.

We also went out for quite a few meals, and it led me to the conclusion that this city really loves its breakfast/brunch spots. There are a ton of good ones, and they all seem to serve a mean breakfast burrito. Not really a bad thing... except maybe for my waistline.
WATCH
The Prestige
Two for the Money
Hellboy: Sword of Storms
Battlestar Galactica: Season 2.5, Disc One

READ
The Subtle Knife, Philip Pullman
The Amber Spyglass, Philip Pullman

LISTEN
Bloom, Eric Johnson
Alligator, The National
The Other Side of Kindness, Collin Herring
All Things Must Pass, George Harrison
Sunrise Over Sea, John Butler Trio
Fear of Pop, Fear of Pop
Going Somewhere, Colin Hay
Z, My Morning Jacket
Greendale, Neil Young & Crazy Horse
Live in Colorado, The Samples

LIVE
Robert Randolph & the Family Band/Gomez, Fillmore Auditorium

10.20.2006

Poster Boy

Collecting has never held much appeal for me, mainly because it's not often that I stay interested in something long enough to want to collect it. However, aside from guitars, which are out of my reach for financial reasons, there is one item that I've recently decided is worth investing in. My love of music and my love of design and typography are two fairly constant things in my life, and there is a place where those disciplines meet: the rock poster.

Now, just so we're clear, I'm not talking about your classic glossy group shot posters you pick up in the back of Sam Goody for $5.99 and throw up on your dorm room wall with StickyTack. These are limited-edition, hand-printed designs. Back in the 50's and 60's, it was fairly common for bands and venues to produce a different poster for each show, often to advertise a festival or package tour with a variety of artists. To some extent, this practice fell out of fashion in the 70's and 80's as punk turned more towards flyers and rock bands went the Sam Goody route to fill their poster needs. But in the 90's, as design became a larger part of the American landscape and new houses and agencies sprang up all over the country hungry for work, the single show poster returned. Some of the biggest proponents of this trend were the Seattle bands, most noticeably Pearl Jam, who hired firms around the country, including Ames Bros, who produced the posters pictured above. (I own a copy of the one with the pig-faced guy in plaid pants towards the lower right.)

Rock posters hold a strong appeal for me because there are very few limits placed on the designers, leading to some incredibly creative work. Designers will often draw from retro pop culture, and robots and monsters are common themes. Plus, the letterpress and screenprinting gives the finished product a raw, hand-crafted feel that's very appealing to me. I'll often turn to posters when I'm looking for inspiration in my own design, or just when I need to remind myself why I do what I do. Apparently, I'm not the only one. UnBeige recently posted about rock posters, which was prompted by reading this post from Crit. It seems my love of the poster is not unique.

Currently, my collection looks like this: besides my Ames/Pearl Jam poster, I also own a set of 4 Nickel Creek posters I got from their website, and a Hank Williams poster and a Johnny Cash poster both created by Hatch Show Print in Nashville, the granddaddy of the letterpress rock poster.

Since I am a "collector", I always keep my eye on a few places to see what's available. As the trend speads to more and more bands, many of them will sell posters from past tours on their website (as Dave Matthews Band is doing right now). This is not a bad way to pick up pieces inexpensively, but I prefer to go directly to some of the smaller studios who produce the posters. One of my current favorites is The Small Stakes, a small one-man shop who creates some fantastic posters for a bunch of bands I happen to like. Unfortunately, he produces pretty limited numbers, and his stuff tends to sell out pretty quickly. I also check out other artists whenever I find them. For instance, tonight I discovered Tara McPherson and El Jefe Design, the studio owned by the author of the Crit blog post I linked to above.

Some of the more famous designs have become pretty scarce. Luckily, there are still ways to see most of them. GigPosters.com is a fantastic resource, although it also makes for dangerous late-night surfing. I tend to hide my credit card before I visit. There's also no shortage of coffee-table book collections and historical looks at the industry. For current stuff, try:
Art of Modern Rock: The Poster Explosion (I own this one. It's a great round-up of the current resurgence of the rock poster.)
Swag: Rock Posters of the 90's

And to dive into the history, I'd start with these:
Hatch Show Print: The History of a Great American Poster Shop
The Art of the Fillmore
The Art of Rock: Posters from Presley to Punk

Finally, no collection would be complete without a way to preserve it. I order 2" black wood frames and plexiglass fronts from Frames By Mail to protect my posters. Frames By Mail will custom-cut to fit whatever size you need (this comes in handy since most rock posters are not made to fit standard-size frames), and it's usually cheaper by half than going to a framing store. Plus, I've never waited longer than 3 days for an order.

I'm making no claims to be an expert, but as a whole, I think the current crop of rock posters are pretty damn cool, and are something that I might even like to create myself someday. And if that's not worth collecting, I don't know what is.

If you like dark humor, I'd highly recommend checking out Thank You for Smoking. Doug and I watched it the other night, and it had us both laughing. Great performances from a sharp cast, but Aaron Eckhart impressed me the most.
READ
The Golden Compass, Philip Pullman

WATCH
Thank You For Smoking

10.10.2006

The Way of the Master

Martin Scorsese's strongest films—Goodfellas, Casino, Raging Bull, Taxi Driver, Mean Streets—followed a simple formula: cast Robert DeNiro, then surround him with talent. Scorsese has made some great movies that fall outside that vein (and didn't star DeNiro), but I always come back to those core movies as my favorites, which is probably why I enjoyed The Departed so much. As DeNiro has aged out of many leading roles, Scorsese has discovered a new leading man: Leonardo DiCaprio. The Departed is Leo's third collaboration with Scorsese (after Gangs of New York and The Aviator), and the formula still holds, just in this case with different pieces. DiCaprio is joined here by a stellar cast, beginning with Matt Damon, who does an excellent job playing DiCaprio's foil/mirror image. Also turning in strong showings are Mark Wahlberg, Alec Baldwin, Martin Sheen, Ray Winstone, and Jack Nicholson in a scenery-chewing performance as an Irish crime boss.

The Departed is based on a Hong Kong film called Mou gaan dou (Infernal Affairs), but Scorsese very quickly makes this movie his own, changing the setting to Boston and introducing the rough dialogue, violence, and classic rock soundtrack which are so identified with his best work. The story follows two Massachusetts State Police officers (DiCaprio and Damon), one who has gone undercover to infiltrate the Irish mafia, and the other who is a mole inside the police for the mafia. The movie reveals the identity of the two moles from the very beginning, yet Scorsese keeps the plot twisting and turning enough to keep the audience surprised and on the edge of their seats. It's not perfect: there are nods to the original film that feel out of place, and a few missteps (including some choppy cuts and a oddly-placed Spanish guitar behind several key scenes), but overall, it's an incredibly enjoyable and powerful movie. It's been a long time since I've walked out of a theater feeling like I got my money's worth, but The Departed left me satisfied that my money was well-spent. I definitely would not recommend this movie if you're squeamish about violence, but if you're a fan of any of Scorsese's "gang" movies, this one ranks right up there with his best.
WATCH
The Departed
Shopgirl

10.02.2006

Victim of Technology

I started to read this interesting column from Wired about how our "tech-enabled activity" is making human beings lose our ability to interact and make personal connections, and how more and more, we're cramming too much into each day. But then I got distracted by recharging my iPod, answering a few texts, emails and phone calls, accessing my work email and calendar from home, downloading some new music, and watching football highlights... all at the same time. Wired says 43 hours of tech activity in a 24-hour day is too much? I say, that's weak.
LISTEN
Post-War, M. Ward
Chronicle Vol. 1, Creedence Clearwater Revival
Thelonious Monk & Sonny Rollins

READ
Settling Accounts: The Grapple, Harry Turtledove

WATCH
Lost: The Complete Second Season

9.21.2006

Crocodile Tears

By now, I'm sure the entire world knows that Steve Irwin, more popularly known as "The Crocodile Hunter", was killed by a stingray while diving off the coast of Australia. I've been a fan of Irwin's infectious energy, childlike wonder, and of course, the Aussie accent, since I first saw his show a few years back, so this news hit me hard. So much so that I haven't been able to watch any of the video memorials yet, like these from Animal Planet and CNN's coverage of the memorial service at Irwin's zoo.

The nature of his death has sparked a lot of conversation and controversy about his life's work. Irwin was very passionate about animal conservation, but lots of critics have appeared since his death to question his approach: Was he setting a bad example by interfering with nature to make good TV; did the good he did in his conservation efforts outweigh his methods; and wasn't this accident just a long-overdue failure in the latest of many attempts to cheat death? My friend Jenny comes down on the side of those who feel Irwin did more harm than good (mostly because, as a mom, she's still mad at him for the whole "dangling his baby son in front of a large crocodile" debacle), and she uses this quote from Jean-Michel Cousteau (son of Jacques) as backup.

But, he added, Irwin would "interfere with nature, jump on animals, grab them, hold them, and have this very, very spectacular, dramatic way of presenting things. Of course, it goes very well on television. It sells, it appeals to a lot people, but I think it's very misleading. You don't touch nature, you just look at it. And that's why I'm still alive. I've been diving over 61 years — a lot many more years that he's been alive — and I don't mess with nature."

I'm not going to apologize for the baby thing, because I think that was idiotic. Everyone has moments of bad judgment in their lives, but there's a big difference between putting yourself in harm's way and endangering a 1-month-old infant. On the other hand, this is the same man who traveled around the world just to pick up the 10 most poisonous snakes by their tails. Rational judgment may not have been his strong suit. However, for Monsieur Cousteau, I'll say this: there are two kinds of people in life — watchers and doers. Sure, the watchers will live a longer life, but the doers' lives are WAY more exciting. Anybody think France will hold a day of mourning with internationally televised memorials including heads of state and celebrities when Cousteau passes away? Somehow, I doubt it.

Regardless of how history will remember him, Steve Irwin left me a lasting legacy. I'll never be able to walk through a zoo or see another croc on TV without wanting to shout, "Crikey, have a go at the size of this one! What a beauty!" in an Australian accent. Just one more reason for the kids to think I'm crazy. Thanks, Steve. Rest in peace.

9.17.2006

The Fresh Air Cure

Here's why I'm liking Denver: After moving into a new apartment with my brother two weeks ago, I've spent most of my time outside of work unpacking and rearranging, but I'm not complaining. Being in a place with my own stuff again feels so good. We got hooked up with digital cable this week, so on Friday night we ended up watching the entire third season of Entourage on HBO On Demand. Even after three seasons, that's still a quality show, and probably my current favorite. After vegging on the couch all night on friday, we needed to get out, so last night Doug and I checked out Andrew Bird's show at the Bluebird Theater. I didn't think his set had quite the same energy as his performance at Bonnaroo, but he was still entertaining. And today, for a little exercise, we hopped in the car with a few friends and drove to Eldorado Canyon near Boulder, where we did a 3+ mile hike on a trail that rose nearly 1,000 feet. Not only was it good exercise on a gorgeous day, but it made me feel pretty good about Denver and all the options I have for my free time. If I want to be lazy and watch a bunch of TV, I can always do that. If I want to go see live music, the option's there. And if I want to get out and do something outdoorsy, obviously no shortage of places to do that too, all within easy reach. And after a few weeks of moving boxes, rearranging furniture, and finding spots for all my magazines, a little fresh air was just the thing I needed.
IMAGES
The Illusionist
Entourage: The Complete Second Season
Entourage: The Complete Third Season

WORDS
A People's History of the American Revolution, Ray Raphael

SOUNDS
Andrew Bird/Dosh/Cass McCombs, The Bluebird Theater

8.29.2006

Fat Tuesday

The news will come as a shock to no one, but according to a study released today, Americans are getting fatter. 31 states showed an increase in adult obesity over the past year, and in 13 of those states, at least 25% of adults are considered obese. The sad thing is, as the study shows, the increases are for all the obvious reasons—lack of exercise and poor diet, the same things that have been causing increases in fat Americans for decades. But as always, the same obstacles are in place to prevent people from changing their habits. For low-income families, the cheapest food is usually the least healthy. What's someone on minimum wage gonna choose to feed their family of four, groceries from Whole Foods or $15 of burgers at McDonald's? And in our suburban world, walking places either isn't feasible, or else people just don't even consider it because they'd rather take their new Escalade out for that 3 block drive to the grocery store. It's alternately disheartening and disgusting. The study also recommends some tougher measures the government can take to combat this epidemic, but I really don't think putting more labels on cans of food is gonna cut it. At this point, it's cultural. As long as Americans identify ourselves by what fast food we eat, what soda we buy by the case, and how much of our favorite beer we pound down, we're going to keep getting fat. So, to all you fat fatty fat pants out there... here's Mike's tip for the day: Even though it's called "Diet" Coke, that doesn't make it healthy. Just slightly less bad for you than regular Coke.

One aspect of the study did make me feel good, as Colorado is the thinnest state (no surprise there, either), although it still has a still seemingly high figure of 16.9% adult obesity. As for me, I feel like I've been doing my part to help achieve that skinny ranking. Since my little heart-to-heart with the doctor two weeks ago, I've worked out 11 times, and hopped on the scale yesterday to discover I've lost 10 pounds since I moved out here (I would assume most of that came off in the last two weeks—cutting out beer probably had a big effect), and am now nearly back to what I weighed in college. I've gotta say, obvious results like that make this working out thing kind of addicting... and it gets more so every time I have to tighten my belt.
IMAGES
Lost: The Complete First Season

WORDS
A Feast for Crows, George R.R. Martin

8.28.2006

Why Should the Fire Die?

Nothing like starting off the week with some crappy news. I opened my email this morning to this message from one of my favorite bands, Nickel Creek:


Dearest Listener,

After seven years of extensive touring in support of three records (seventeen years as a band), we've decided to take a break of indefinite length at the end of 2007 to preserve the environment we've sought so hard to create and to pursue other interests. It has been a pleasure to write, record, and perform for you through the years and we'd like to heartily thank you for your invaluable contribution to our musical lives.

Yours,

Nickel Creek
(Sean, Sara, and Chris)



Doesn't sound too promising, does it? I've been lucky enough to see these guys four times over the past six years, (most recently at Bonnaroo) and every time, they put on a fantastic show. In between Nickel Creek albums, both Chris Thile and Sean Watkins have released numerous solo albums and performed with a variety of different artists, but the band definitely had something special when they played together. I'll keep listening to whatever their new projects are (like Chris' new album), and I hope they continue to be successful, but here's hoping their break doesn't last too long. Hopefully I'll get a chance to see them again before the end of '07, and I also hope that after that time, Sara Watkins will find have plenty of opportunities to continue singing. Meanwhile, I'm keeping their music alive by listening to my entire collection of Nickel Creek, side projects, and solo albums (which, according to my iTunes, should be good for about seven hours).

UPDATE: After a bit of Googling, I found an article on Billboard.com that sheds more light on the situation, and Rexblog goes even further into the "hiatus". Billboard has more info on upcoming projects, including the happy news (for me, anyway) that Sara has a solo album due out in the next six months.

8.27.2006

The Undiscovered Country

One of the things I enjoy most about reading is exploring new locales, finding cities, countries, and entire worlds that I'm only able to visit through the pages of a book. I like many of these places so much that I'll return again and again (Middle Earth, Narnia, the twisted America that Stephen King created in The Stand and co-created with Peter Straub in The Talisman), but it's always very pleasing to me to find new places that I enjoy, which is why the book that I've just finished and the two I'm about to read are so interesting to me.

Arturo Pérez-Reverte's The Club Dumas is a strange novel. It is a mystery-thriller whose protagonist, a finder and procurer of rare books, is rather difficult to like. It deals with the life and works of Alexandre Dumas, most specifically his works about The Three Musketeers, drawing strange parallels throughout the story to charcaters and scenes from Dumas' books. It also deals with the occult, demonology, and may or may not include a character who is Satan incarnate. In it basest form, it's somewhat like the Da Vinci Code, but much unlike DVC, it is beautifully written, in spite of being translated from its original Spanish. Many of these things would be enough on their own to get me to read the book, but what I found as I read was what really drew me into the book was the setting. The Club Dumas takes place in a shadowy, nebulous post-war Europe. No exact time frame is ever given beyond a few pop culture references thrown about the book, but because of the occult themes, Pérez-Reverte is able to give the reader the sense that the action may even be occurring outside of time, that very often the characters step back and forth through the centuries to accomplish their goals. There is a very real sense of how old Europe is in comparison to our young country, and even as subtly as it is added to the story, it gives some very real dramatic weight to what could otherwise be a strange and difficult story. It's Europe as it could be, if one or two things were slightly different. And that, as you'll see, will be the theme here.

George R.R. Martin's A Feast for Crows is the fourth book in his epic fantasy series, A Song of Ice and Fire. This is no Middle-Earth, however. Martin's Seven Kingdoms and the surrounding world are rather loosely based on European geography, and although dragons and magic figure into the story, they are mostly background and history, the dying whispers of a forgotten world. No elves and goblins (and only one dwarf, a human dwarf) figure into this story. The Ice and Fire saga is the story of men and women of several families who vie for power as the kingdom falls apart around them. Martin has woven a rather large tapestry with almost 20 main characters and a host of supporting players (easy to do when each of your volumes averages near 1000 pages), and he's given each one enough depth to keep them all interesting... while they last. One of the things I enjoy most is that no one is safe. Just when you've come to like a character and understand their predicament, bang! A suprise attack or a poisoned cup of wine, and the body count rises. But again, I find myself drawn to the sort of alternate Europe where the story takes place. It could have been like this 8 or 900 years ago, if there were ever dragons and giants. It's not to hard to imagine our ancestors suffering through many of these types of situations. But it's close, and the idea that these people almost existed, that they could have done these things in some far-off time in our history, is very appealing.

And finally, a little closer to home, is Stephen King's Dark Tower series, beginning with The Gunslinger. I've started these books before, having read the first four volumes at least once each, but they always left me unfulfilled (mainly because I knew I had to wait for the end of the story). But having just re-read The Stand, and knowing that King finally completed the seven-book Dark Tower cycle, I decided to go back and give it another shot. In many ways, The Stand and The Dark Tower are similar. King himself has written that both were heavily influenced by Lord of the Rings, that the idea of a quest appealed to him, but that he wanted to make it his own, set in his own place with his own type of characters, and not just a pale imitation of Tolkien. And both stories take place in an America not unlike our own. We're just one plague (and a couple of allegorical angels and demons) away from living out the action of The Stand. The Dark Tower goes a little further away from America as we know it into what's clearly an alternate world, but some of the characters originate from our world (or King's version of it), and even in the Gunslinger's world, there are things we as readers can easily recognize. King even goes so far as to refer to The Stand and a few of his other works during the course of the Dark Tower books, hinting at an underlying thread that binds his entire ouvre together (or at least the more fantastical works in his canon). I'm curious to see what effect this series has on me this time, now that I can read it the whole way through. I've always enjoyed this side of King's work, and it will be interesting to see how he chose to finish it.

I watched In Harm's Way this morning on Turner Classic Movies. Odd for a lot of reasons: I've barely watched any TV since I moved out here, I'm not much of a John Wayne fan, and I usually don't have a whole lot of patience for the snail's pace of old movies, being from the MTV generation and all. But for some reason, I got sucked in this morning, and I found myself fascinated by the strange morality of the film. Here's a movie that was made in 1965, obviously a very different and tumultuous time in our country. But I found the messages in the movie to be very odd and oppositional. First, there's the characters. Wayne's character is put forth as a shrewd military hero, yet he also chose the Navy over his wife and 4-year-old son, abandoning them when he received an overseas commission. (In his character's defense, he later discovers his son has joined the Navy, and spends much of the movie trying to reconcile.) Kirk Douglas is Wayne's chief of staff, an alcoholic ladies' man who frequents a local brothel, rapes Wayne's son's fiancee in a drunken rage (causing her to commit suicide when she finds out she's pregnant), and then "redeems" himself by taking a plane on a suicide mission to warn the naval base of an impending surprise attack. Complex, to say the least, but no time is ever spent explaining why they are the way they are. And no characters spend much time on emotion. Grief, pain, anger, and joy all flash by in a moment, then it's on to the next scene. After Wayne tells his son of his fiancee's death, it takes all of 20 seconds before they're smiling and shaking hands. All of this got me thinking about ways that our society has changed in the past 40 years. If this 3-hour movie were made today, it would have ended up being a miniseries because so much time would have been spent explaining that Wayne's father was a hard-ass military man himself, and that Douglas was abused as a child and tortured by his personal inner demons, which caused him to go on his drunken rampage, and Wayne and his son would have a touching reconciliation involving some tears and man-hugs. Otherwise, moviegoers would never be able to handle the movie because there would be too much external guilt about the characters' actions, and test screenings would reject them as "unrelatable" or "unlikeable" or some such crap. In many ways, Americans as a people have become too sensitive and self-centered, a fact many men's magazines (like Esquire) have been happy to remind us of lately, bemoaning the lack of "men's men". We've bought into the Oprah/Dr. Phil line of thinking, and we spend so much time these days examining our feelings and how they effect the people around us, sometimes I wonder if we're letting our lives pass us by. Having a better sense of our own personal psychology hasn't seemed to improve the world much. There are still the same old problems there' have always been. Superficially, things seem to be headed back in the other direction. Fashion is beginning its slow turn back toward the 50's and 60's, bringing suits and dress clothes back to the workplace, and drinks and music have all had their passing retro fads. I wonder if this is a precursor to a shift in attitudes, if society is growing tired of touchy-feely, everybody's a winner-type thinking. Some days, it seems like it would be nice if everybody just quit whining, grow up, and start acting like adults and parents. The whole Grups thing is only gonna take you so far.

Eh. I think I had a point when I started writing that, but it just turned into a rant. Grump, grump. I think I'm ready to go back to work.
SOUNDS
Oh No, OK Go

IMAGES
In Harm's Way

WORDS
The Club Dumas, Arturo Pérez-Reverte
The Gunslinger, Stephen King

8.22.2006

The Seventh Sign

Radiohead for babies. Seriously? Seriously. Expect the drug companies to introduce depression drugs for infants any day now. I mean, listen to the mp3 sample. Are these people out of their gourds? Anyone who remembers one day of their own childhood knows that xylophones + minor key songs = creepy as shit. As if Radiohead's not disturbing enough already. Although personally, I think it sounds kinda cool. But I'm sure not subjecting any newborns to it.

This would have been so much cooler if Radiohead had made an album of lullabies under an assumed name. "Babyohead", anyone?
WORDS
A History of the World in 6 Glasses, Tom Standage

8.20.2006

The Enemy Within

Stress has always been a part of my jobs. I tend to take on more than I should, and I have trouble letting go of control because I think it's easier to do it myself than to explain it to someone else. In a deadline-driven industry, that's not such a good combination, since it tends to catch up with you pretty quickly. But I always assumed that when you've got too much work to do, you just put your head down and buckle down until it's done. Don't complain too much, because nobody wants to hear it anyway.

Well surprise, surprise, this isn't really a healthy attitude. If you keep internalizing your stress, eventually your internals are gonna fight back. And so I found myself leaving the doctor's office this week with some choices: keep going the way things are going, sleep poorly, eat poorly, and generally be miserable, or else give up caffeine, beer, fast food, start exercising more, and leave work at work. Everybody's doctor tells them these things, and they're things I've always known I should do and keep meaning to get around to, but I'm at the point now where I'm so sick of being sick that something's got to give, and I think that something is my youthful feelings of invincibility. Sure, I can eat whatever I want, drink whatever I want, and then spend my nights trying to ignore the pain in my stomach. But I'd also like to live past 60 and get to know my grandkids, so I've decided it's time for some lifestyle changes. In the past 5 days, I've gone without coffee, soda, beer, I've eaten fairly healthy meals, and I've worked out every day but one. Yeah, it sucks, and it's hard, and it screws with my schedule, but every night I've gone to bed, fallen asleep right away, and slept through to my alarm. My stomach feels great, and all the little crises at work seem a lot easier to deal with. I know this isn't news to anybody, and you're probably thinking "duh" right about now, but there really is something to this whole exercise and good diet thing. Luckily, I happen to be living in a town that makes it pretty easy to live healthy. Now I've just got to stick to these changes. I'm not ruling out an occasional donut or Taco Bell run here and there, but it's time they got a lot less frequent.

Tick, tick, tick... only two weeks until I get my stuff and move into a real apartment. I can't wait to get out of this sublet. If there's anything I can take away from this experience, it's that I'll never take any apartment again, long-term or sublet, without seeing it first. That, and never go anywhere for longer than a week without at least one of my guitars.

Did a little music shopping today. First, I used up all my downloads at eMusic. I've mentioned this site before, but I still love it. You pay a monthly fee for a certain number of downloads, and then get access to their whole catalog, which consists of a huge variety of independent labels. After nine months or so, I'm still finding plenty to use my 40 downloads a month on. You won't find any top 40 stuff (fine by me), but you may find an early release or two by current bands, and some great hidden gems if you're into jazz and classic rock. Today I picked up albums from Gin Blossoms, The Raconteurs, and Andrew Bird, as well as songs by The Cult, Triumph, Guided by Voices, and Young MC. Then I hopped over to the iTunes store and was reminded that for some reason, all the remastered versions of The Police's back catalog are really cheap (except for some odd reason, Outlandos D'Amour). I had already bought Ghost in the Machine, so I picked up two more. Still sounding good after a quarter-century.

I'm such a terrible parent. I missed my blog's second birthday (Aug. 11, for those keeping score at home). Guess that shows where my priorities have been lately. Well, for anyone who cares, here's a look back at how it all started.
WORDS
The Stand (The Complete and Uncut Edition), Stephen King

SOUNDS
Broken Boy Soldiers, The Raconteurs
Major Lodge Victory, Gin Blossoms
The Swimming Hour, Andrew Bird's Bowl of Fire
Regatta de Blanc (Remastered), The Police
Synchronicity (Remastered), The Police

8.13.2006

Live at Red Rocks

Had my first Red Rocks concert experience last night with a big group of co-workers and friends, and it was a good one: Drive-By Truckers, Robert Randolph and the Family Band, and the Black Crowes. We arrived early enough for all three bands, but chose to tailgate through Drive-By's set. I could hear them from the car, and despite being a fan of their recorded stuff, I can't say I was too upset that we weren't in our seats. On the other hand, I don't think I've ever listened to any of Robert Randolph's albums, but his reputation for outstanding live shows preceded him, so we made sure to be in our seats by the time he started, and were rewarded with a blistering set highlighted by a cover of Jimi Hendrix's "Voodoo Chile (Slight Return)". Very impressive. Despite playing for less than an hour, I felt like Randolph was worth the price of admission alone, and made for a tough act to follow for the Crowes. They played a pretty decent set, although short on hits. I only recognized 3 or 4 songs, but I'm not all that familiar with much of their stuff either, at least beyond their first 2 albums, so I wasn't surprised to hear songs I didn't know. They were still an enjoyable live show.

By far, though, the highlight of the night for me was the venue. Red Rocks has great acoustics and it's simply a spectacular setting for a concert, which helped to create a good crowd vibe. There had been a little bit of rain earlier in the afternoon, so the night was nice and cool, and a refreshing breeze was blowing through by the time the Crowes hit the stage. I'll definitely be back. My only complaint is from where we were sitting, it was a pretty long walk to a bathroom. After tailgating for 2 hours, that gets to be important. On the other hand, by the time the show ended, I got plenty of exercise.
WORDS
Mr. Timothy, Louis Bayard

8.08.2006

The Convert

More post-World Cup media love for soccer: my dad sent this column to me a few weeks ago, and I forgot to post it until now. The good thing is, Dave here is only latest member of a fairly large group of people I've come into contact with since the World Cup ended who seem to be willing to give the 21st century version of pro soccer a try. The trick now for MLS is not only to bring these new fans in, but to keep them coming back. Of course, tickets to a DC United game would be the easiest answer. Getting to see the class of the league in action would guarantee all these newcomers would become fans for life. Hey, it worked for me.

8.05.2006

Under the Rainbow

Well, here's a sight that I didn't see much of in Indy. I took this photo from the roof of my building about an hour ago. My lens didn't go wide enough to get the whole thing, but it was a pretty amazing sight. I could see pretty much the entire rainbow from up there, and my camera definitely doesn't do it justice.

But as I've quickly discovered, rainbows are just one of the many differences between Indy and Denver. Despite still being busy at work (and spending a lot of free time working on my redesign plans), I'm finally beginning to feel settled in out here, and I'm starting to notice a quality of life change. A lot of the nagging health issues I was dealing with in Indy have disappeared, which is probably due to a lot of things: eating better, sleeping better, exercising more, enjoying my job again, and better weather. With the exception of an atypical two-day rainstorm, it's been sunny every day since I moved here. There are thunderstorms that roll through (like the one that caused the rainbow), but they hardly ever last more than an hour. And except for the couple of days that it got over 100°, even the hot days are pleasant.

Another change is that I've hardly been watching any TV, mainly because I have lots of better stuff to do. I'm still exploring Denver, but I've also been able to read a ton of books, catch a few movies, go out for beers, and anything else that doesn't involve sitting on my couch vegetating. Today alone I walked around downtown for a little while, redesigned the restaurant section of the magazine, saw Clerks 2 (another disappointment from Kevin Smith, who apparently should have retired after Jay & Silent Bob Strike Back), read a few chapters of the latest book on my pile, A Storm of Swords (Book 3 of George R. R. Martin's excellent Song of Ice and Fire series), and worked out. And on top of that, I did manage to squeeze in a little TV-viewing when I watched the MLS All-Stars upset Chelsea, champions of the English Premier League two years running who are basically All-Stars themselves, having the most expensive roster in the world (including 16 players who represented their countries at the World Cup). Anyone who didn't see the match won't read too much into the result, but contrary to the way exhibitions and All-Star games usually go, this match was hard-fought and a well-deserved victory for MLS. Chelsea is in their preseason, and it showed, but it wasn't like they were mailing it in. That much was obvious when John Terry, their captain and central defender, pushed up to play forward for the last 10 minutes of the game trying to score the equalizing goal. Doesn't sound much like a "training match" to me. It was a good game, and nice to see MLS earn a bit more international respect. Chicago's new Toyota Park looked great as well, especially with a sell-out crowd in the seats. Along with the game, MLS also made the exciting announcement that they've signed a new deal with ESPN and ABC. OK, obviously that's good that the league will continue to be on TV, but here's the kicker: For the past 11 years, MLS has basically been buying time from the networks to show their games. No more. For the first time, the money will be going the other direction, with ESPN paying rights fees to show MLS games. This is fantastic news for a league that has struggled to make money for its entire existence. With TV money flowing in and more teams owning their own stadiums (thus controlling all the revenue), the league is suddenly looking financially solid. And that can only help the product on the field. More money = better players. It's that simple.
SOUNDS
The Eraser, Thom Yorke
1, The Beatles

IMAGES
Clerks 2

WORDS
A Game of Thrones, George R. R. Martin
A Clash of Kings, George R. R. Martin
A Storm of Swords, George R. R. Martin

7.21.2006

A Work in Progress

New city + new job = a lot less time for blogging. I hope my three regular readers haven't missed me too much.

In between trying to adjust to a new system at work, balance a variety of new responsibilities, redesign a magazine, find my way around a new city, find a permanent place to live, and stay in touch with everyone back east, I have managed to read a few soccer articles. It's interesting that the tone of the American sports media has changed appreciably since the end of the World Cup. I think the TV numbers really woke some people in the industry up to the fact that there is a huge untapped market of viewers and readers out there, and that's been reflected in a very welcome and sometimes startling respect being given to all aspects of the game—international, European, and even MLS. A perfect example? SI.com discusses the announcers for the 2010 World Cup... nearly 4 years in advance! If that's not a sign of soccer's increased media footprint, I don't know what is.

SOUNDS
The Avalanche: Outtakes and Extras from the Illinois Album, Sufjan Stevens
Powder Burns, The Twilight Singers
In Dreams, Roy Orbison

WORDS
A Connecticut Yankee in King Arthur's Court, Mark Twain
Bangkok Tattoo, John Burdett

7.12.2006

Little Shots of Happiness

Every once in a while, a series of commercials comes along that I get inordinately attached to. I get a stupid little rush of excitement every time I see one, and no matter how many times I see them, they never fail to make me laugh. Right now, it's Apple that's responsible for my 30-second fixes. I don't whether it's because I'm a life-long Mac user (our first family computer was an Apple IIc that my Dad bought in the late 70's), or just because I find these ads to be unfairly clever at the expense of some computer-geek stereotypes, but I can't get enough of them. I can't escape them either. Thanks to the juggernaut that is Apple's marketing department, whether I'm watching TV or on the internet, there's the Mac and the PC. Also, I love that the guy who plays the Mac is the same kid who got nailed with a wrench by Patches O'Houlihan.

Other things making me happy these days?

Pearl Jam, "Wishlist". After digging out my CDs during the move, I'm having a bit of PJ renaissance these days, and their greatest hits discs have been in heavy rotation as I drive around Denver. "Wishlist" is a track I had almost entirely forgotten, but now I can't get enough of. "I wish I was a messenger and all the news was good / I wish I was the full moon shining off a Camaro's hood." Cheesy goodness.

Neil Finn and Friends, 7 Worlds Collide: Live at the St. James. Another gem I dug out. The former Crowded House frontman gathered a bunch of guest stars (including members of Radiohead, the Smiths, and Pearl Jam) for a series of concerts in New Zealand. I don't even know that many of the songs, but this disc makes me wish I had been at the show. And really, what more can you ask for from a live album?

Anything by Mark Twain. I've been there before. When I was young, I had an illustrated version of Adventures of Huckleberry Finn, and when we read the grown-up version in high school, it was one of the only books I've been forced to read in my life that I truly enjoyed. I've read The Adventures of Tom Sawyer, and I own a collection of Twain's best quotes. But the mark of a great writer is, no matter many times you read their stuff, you always come back for more. Thanks to a few visits to the nearby Tattered Cover bookstore, I've stocked up and plunged deeper into Samuel Clemens' oeuvre. I just finished re-reading Tom Sawyer and Huck Finn, and am now about to start A Connecticut Yankee in King Arthur's Court. On deck: Life on the Mississippi and Innocents Abroad. If nothing else, Twain's words are helping pass the time in my crap-ass sublet.

Things not making me happy?

My crap-ass sublet. The sooner I find a permanent place to live, the better.

The logo for World Cup 2010 in South Africa. Ew. It's the biggest sporting event in the world. You'd think maybe they could spring for a graphic designer with a few years of training.

7.10.2006

French Fried

Sacre Bleu, Zizzou! What could you possibly have been thinking? You're in overtime of the World Cup Final, your team is dominating, so what do you do? Lay a vicious headbutt on Marco Materazzi and get red-carded, taking away any momentum from your team and forcing them to spend the remainder of overtime defending, sending the final to penalty kicks where they lose because you, their best penalty-taker, are no longer on the field. I don't care what the guy said to you, you're a world-class athlete in the final (and arguably biggest) game of your career. What the hell? And even if the referee was looking the other way, with that many cameras in the stadium, you're never going to get away with such an obvious, violent foul. It's really a shame to see you go out this way. After a mesmerizing run through the knockout rounds where you rediscovered your magic touch on the ball, you should have been hoisting the trophy. But c'est la vie, no? Life is not a Hollywood movie.

Credit should go to the Italians for holding out to reach penalty kicks despite being obviously dog-tired for much of the second half, but you have to think Zidane getting sent off was a huge boost to their flagging spirits, especially after he had nearly won the game a few minutes earlier with a masterful header. Maybe if he had stuck to heading the ball rather than an opposing player, this final would have had a different plotline. But Zidane's antics aside, I have to say that I hate the idea of deciding the world championship on something as arbitrary as penalty kicks. I think PKs are perfectly legitimate to decide matches during the knockout phases, because you need to keep the length of the games fairly even to keep it fair. But for the final match of an event that only happens once every four years? Suck it up and keep playing until somebody wins. Plenty of time to rest when it's over.
WORDS
Adventures of Huckleberry Finn, Mark Twain

SOUNDS
Under the Iron Sea, Keane

7.07.2006

Life is Nothing Without Music

I miss my guitars. :(

And for you complainers out there (*cough*Jenny*cough*), I've provided a link to the IMDB page for the movie title I used as the title of my post. So there.
WORDS
The Adventures of Tom Sawyer, Mark Twain

7.04.2006

It's a Bird, It's a Plane...

...it's a rare summer blockbuster, one that that uses its special effects to support the story, rather than the other way around. I knew going in that this had to be an effects-heavy movie: after all, it's about an invincible superhero who flies and shoots heat rays out of his eyes. But the thing is, I finally believed it. No more thinking about the wires yanking the actor out of frame as he flies away or how badly the post-production people merged his image onto the background he's supposedly flying past. This is the movie where it finally looks like Superman can fly. And stop bullets. With his eyeball. Ew.

But more importantly, there's a story here. Unlike X3 (which disappointed me because it relied on effects in lieu of a story), Superman Returns has a plot. While the story may not have gone quite as deep into the characters' heads as I might have liked, I understood what the motivation was for everything that happened... and it wasn't just as an excuse to set up the next action sequence. Bryan Singer, as has been much-covered already, is a devoted fan of the first two Christopher Reeve-era films, and to anyone even passingly familiar with those movies, that's very obvious in Superman Returns. The action picks up 5 years after Superman II ended, and aside from reusing footage of Marlon Brando as Jor-El, there are plenty of visual nods to both movies, as well as a tinge of Gene Hackman in Kevin Spacey's Lex Luthor and Brandon Routh's performance eerily echoing Reeve at some moments. But this is very much its own movie. Spacey is a much more menacing Lex than Hackman ever was, and Routh is more centered and focused than Reeve, playing Clark as more of an insecure geek than a clownish oaf, and Superman as a hero confident in his powers (and suitably helpless when they're taken away).

Despite all the hype and endless promotional tie-ins, this movie's something special. Towards the end, there's a moment where Superman temporarily loses his powers and falls to Earth from the edge of space. Since it had already been established earlier in the film that the sun's rays can heal him, a little kid sitting a few rows behind me started half-whispering, "Come on, sun, save him. Come on, sun, save him!" And as I listened to that kid, I realized I had forgotten to breathe because I was busy thinking the exact same thing. Not many movies can do that to me anymore, so it's a pretty gratifying experience when one still can.
IMAGES
Superman Returns

WORDS
The Pirate Coast, Richard Zacks

7.01.2006

I Choose France

Because everyone wrote them off before the tournament even started because they were "too old". Because no one gave them half a chance against mighty Brazil. Because today, the French showed the Brazilians what Joga Bonito is really all about (and somewhere, Eric Cantona is drinking himself into a happy stupor). Because Zinedine Zidane is looking to take one more medal with him into retirement, and he's playing like he's 24, not 34. Because in my opinion, Thierry Henry happens to be the best player in the world. Because out of all the times they've played together, Zidane and Henry never combined for a goal until today, and I want to see that happen again. Because of all the remaining teams, France is the only team with blacks and whites and Christians and Muslims all working together towards one common purpose. Because the other choices are Germany (the hosts... yawn), Portugal (pathetic bunch of divers), and Italy (cheating match-fixers who I hate simply for advancing out of the US's group when the US didn't). Because a France jersey is hanging in my closet in Indy, and I'd be glad to wear it again. Allez les Bleus!

Seduced by Argentina

Sadly, the most exciting team in the World Cup is going home, as Germany defeated Argentina today (1-1, then 4-2 in the penalty kick round). After watching their 6-1 dismantling of Serbia & Montenegro, I had pegged the Argentines as the team to win it all. They had a free-flowing attack and a stalwart defense, and scored a raft of terrific goals throughout their matches, including the unquestioned strike of the tournament, an insane chest-and-volley by Maxi Rodriquez against Mexico in the second round. It's a thing of beauty no matter how you slice it, but best appreciated if you hear the call from an Argentine announcer. Throughout the first and second rounds, Argentina played beautiful futból with a smile, something normally associated with the South American team known for its samba, not its tango.

Unfortunately, as I was at work (and without a TV in my apartment anyway), I missed being able to watch the game. But as most recaps have explained (such as this one from SI's Grant Wahl), the Argentine approach to today's match was cynical and far-removed from how they played to get to this point. Ahead by one goal and forced to make two subs due to injuries midway through the second half, they went into a protective shell. And if this World Cup has proven anything consistently, it's that if you modify your play to protect a one-goal lead, you're pretty much guaranteed to lose that lead. And true to form, the Germans equalized through tournament-leading scorer Miroslav Klose in the 80th minute. Having used all their substitutions (inexplicably leaving wünderkind striker Leo Messi on the bench), Argentina could not muster the offense to win the game in extra-time, and Germany's keeper Jens Lehmann made two stops in penalty kicks to send the hosts through to the semifinals, while the South Americans were left to head home and mourn their missed chances. At least their coach had the good sense to quit immediately, rather than allow the Argentine media and public to rake him over the coals while baying for his blood.

So one of the semifinals is set, with Italy (dominant winners over Ukraine in today's other match) set to face the hosts. Tomorrow will determine the other semifinal matchup, as England meet Portugal and then Brazil and France hook up for a rematch of the 1998 final. At this point, I'm no longer sure who to cheer for, but based on the success of the teams I've been pulling for so far, it may be the kiss of death for me to choose a new favorite. Maybe I'll just enjoy watching the rest of the games and leave it at that.

On the other hand, not having a TV this week has given me a chance to do quite a bit of reading. And thanks to discovering the Tattered Cover just a few blocks from my new place, I now have plenty of books to keep me occupied. Summer, a pool, and a stack of new books? Ahh, life is good.
WORDS
The Twelfth Card, Jeffery Deaver
Kung Fu High School, Ryan Gattis

6.27.2006

Dazed and Confused

Well, after 5 days, I'm finally starting to feel settled in Denver. It's still a bit disconcerting to be living in a furnished sublet. I feel like I have to be on my best behavior since it's someone else's stuff (although given the state this place was in when I arrived, I don't think that's much of a worry), and despite being completely unpacked, I still don't feel like I live here yet. My life for the past few days has been a blur of wandering around downtown, searching maps to find nearby stores for cleaning supplies and things I forgot, trying to learn the ropes at work, and catching World Cup highlights whenever I can. All of this is made more difficult by the fact that I'm heavily jet-lagged due to the switch to Mountain Time. I keep nodding off around 9:30, and I wake up at the crack of dawn every morning raring to go. I did finally start to catch up a little this afternoon when I came home from work and grabbed a quick nap by the rooftop pool.

Overall, the decision to move out here seems to be a good one. Once I get comfortable at work, I think it's going to be a great spot for me, and the city itself has been nothing but amazing so far. The weather's been fantastic, and it just smells clean and healthy here, a welcome change after downtown Indy's ever-changing assortment of unpleasant scents. That said, there are some things I miss about the Circle City. Most of them will fade soon, but as long as AB is still there, I'll always be thinking about Indy.

Meanwhile, I'll try to find ways to amuse myself out here. With the holiday weekend coming up, there should be plenty of chances for fun. The Rapids apparently put on a great fireworks show every year, although the fact that they're matching up against the Revolution may not produce many fireworks of the goal-scoring variety, as neither team has been finding the back of the net too often lately. Thankfully, I'll have World Cup matches to keep my thirst for soccer sated. There's also a little movie coming out on Wednesday that I want to check out; haven't seen much publicity for it, but I think it's based on an old comic book. And in true competitive fashion, Marvel has cleverly timed the release of the teaser trailer for Spider-Man 3 to steal a little bit of DC's Superman thunder. Looks like, as rumored, Venom and Sandman will be the baddies this time. Hopefully, it stays truer to the quality of the first two movies and doesn't go the way of X-Men.

I'd talk about the US's early exit from the World Cup, but I'm still too annoyed to think coherently. I don't think Bruce Arena should be fired unless they have a better candidate lined up (too bad Guus Hiddink's not available), but I do think some new ideas would be a good thing for that coaching staff. Obviously, there were plenty of cracks in the dam, and when the pressure was on, they all burst. Mostly, what I learned from this World Cup is that the Yanks aren't anywhere near as good as they (or their fans) would like to think, and Clint Dempsey is the only US player who showed up. I'm guessing at least a few Euro clubs took notice.