Editors, Hot Hot Heat & Louis XIV, Ogden Theater. As my friend Luc said last night, there's a reason you go to see bands live. I own both Editors albums, and had seen about half of their set at the
Monolith Festival last summer, but none of those things in any way prepared me for their thunderous live sound. In a way, Editors are Coldplay’s evil twin. Both bands play moody Brit rock, and have lineups consisting of guitar/bass/drums and a hyperactive lead singer who alternates between guitar and piano. But while Coldplay set themselves firmly on the path to the mainstream by following in the footsteps of mid-80’s U2, Editors were burying themselves in darker 80's music—The Smiths, Joy Division, The Cure and Echo & the Bunnymen. Much like all of those bands, Tom Smith’s lyrics find the tragic beauty in the grand Romantic themes of love and death, while live, the band leans heavily on their rhythm section (something The Cure has always done to great effect). On Editors’ studio stuff and even when I saw them outdoors last summer, it was hard appreciate the power of their drums and bass, but in the Ogden last night, that solid underlying groove was impossible to miss. Plus, I love what this allows the lead guitarist, Chris Urbanowicz, to do with his instrument. He very rarely plays any chords, instead either playing chiming melody lines or ripping off squealing fills behind the melody, which creates a really interesting texture (and also increases the similarities to 80’s Goth). I said in my Monolith review that I was intrigued enough to want to see Editors in a different setting, and I'm glad I did. They put on a great show (although at 1 hour and 10 min including encore, it could have been longer). But with the two openers, it was a pretty solid night of music top to bottom.
I could say many of the same things about the sound of both Hot Hot Heat and Louis XIV. I had heard some of their studio stuff, but they sounded a lot heavier live. Louis XIV sounds like the bastard child of AC/DC, Kiss and David Bowie, while Hot Hot Heat made me consider the result if Rush had been into punk instead of prog rock. I don't know if either band made me a fan, but I'd certainly like to hear more of their stuff. The nice thing was, both of these groups have enough of a following that the theater was full and rocking for all three sets, instead of the small and half-interested or nearly silent crowds that usually show up for the openers. It always surprises me a bit to see what a difference an active crowd makes to my enjoyment of a band, but I guess that, too, is part of the appeal of seeing live music, and definitely a part of why I keep going to shows.
Speaking of which, this was show #92 all-time for me (yes, I’m anal enough that I have a list), and looking back, I’m happy to say that almost all of them have been enjoyable. I guess that makes sense, since I’m not likely to go see too many bands I don’t like, but you’d think there might be a few more bad nights or bands that just suck live. Happily, I’ve been pretty lucky. Anyway, stay tuned for some kind of special thing when I get to #100. Maybe I’ll give myself a special award or something... ;-)
Summer movie season, here we come. Ahead of its release on Memorial Day weekend, the first trailer for Indy 4 (OK, fine—Indiana Jones and the Kingdom of the Crystal Skull. Blech. That title sucks.) made its way to the InterWeb this week. As expected, it looks action-packed, and I appreciate the willingness to crack jokes at the expense of Harrison Ford’s age, but there’s a few things that worry me. I’m remaining cautiously optimistic, but that shot of a car chase along the edge of an obviously CGI-created cliff is concerning. One of the greatest things about the original trilogy is that the locations were always real, and the stunts always looked like they could actually happen. George Lucas’ obsession with computer-created movies better not ruin this franchise too.
