Showing posts with label Coldplay. Show all posts
Showing posts with label Coldplay. Show all posts

12.30.2008

The Year of Pleasant Surprises

Obama aside, 2008 was a difficult year all around, and pop culture seemed to reflect that. I started working on some top ten lists to close out the year, until I realized that in most categories, I couldn't come up with more than three things that really impressed me. In fact, so much of what was produced this year was uninspired, uninventive, or just generally disappointing that it was almost a surprise when something turned out to be good. So, in recognition of that, here are my 12 pleasant entertainment surprises of 2008.

Wall-E. A kids’ movie about cutesy, animated robots that chirp and beep more than R2D2. A post-apocalyptic sci-fi story about a trash-collecting robot and his pet cockroach left behind on a over-polluted planet. A cautionary tale about the environment and the evolutionary effects of technology and lack of exercise. A sweet romantic yarn about a Hello, Dolly-obsessed loner who finally meets the woman of his dreams and crosses the galaxy to win her heart. Wall-E is all of these and more. Add in the fact that the two main characters barely speak any dialogue in the first 45 minutes except to repeat each other’s names, and you would expect this would make for a deadly boring, convoluted mess. Enter Pixar. If ever you doubted the genius of this studio, here’s all the proof you need. Wall-E is an incredible piece of moviemaking. So much is communicated through the smallest gestures, toots, whistles, and slight changes of expression that the lack of dialogue is barely noticeable. Hands-down, one of my five favorite movies of all time.

The Rhumb Line, Ra Ra Riot. An amazing mix of strong songwriting, catchy melodies, and driving strings made this my favorite album of the year. There’s a surprising amount of world-weariness for such a young band, and it gives the songs a lived-in feeling, even if you're only hearing them for the first time.

“Spiralling,” Keane. This track is so undeniably catchy, I almost forgive them for the bad 80’s synthesizers. OK, who am I kidding? The synths make the song.

The Dark Knight. I knew it would be good. I just didn’t know it would be this good. Total game-changer for all comic book films to come.

“M79,” Vampire Weekend. Imagine Graceland-era Paul Simon scoring a Wes Anderson flick. This song encapsulates everything that is great about VW’s debut.

Feed the Animals, Girl Talk. The most incredible mashup mix I’ve ever heard. So dense and complex in its use of samples that Wired devoted a full-page chart to breaking down one track from the album.

Dr. Horrible’s Sing-Along Blog. Proof that even Joss Whedon’s free time doodlings are works of genius (he wrote this to keep his mind fresh during the writer’s strike). Joss Whedon + Neil Patrick Harris + a musical about a supervillain’s video blog = comedy gold.

“Viva La Vida,” Coldplay. Yes, this song is overplayed. Yes, it may have been plagiarized. Yes, the album as a whole is so-so. No, I don’t care. It’s still impossible to get out of your head.

Iron Man. Not as gritty as The Dark Knight, but still a hell of a lot of fun. Favreau took the source material seriously, and Robert Downey Jr. was born to play Tony Stark. I went in with high expectations, and they were all met.

Lyle Lovett at Red Rocks. I maintain the belief that all Red Rocks shows are automatically 10% better simply because of the venue, but Lovett didn’t need the help. Despite the fact that I hardly knew any of his music, I was enthralled. Lyle is a true entertainer, and his band is top-notch.

The Girl With the Dragon Tattoo, Stieg Larsson.
This book was recommended to me almost simultaneously by my mom and Stephen King, which is strange, but also a testament to its appeal. The variation on a locked-room murder mystery (in this case, it’s a locked island) kept me turning pages all the way to the end...which I really enjoyed, despite it’s non-Hollywoodness.

Alpinisms, School of Seven Bells. Former Secret Machines guitarist Ben Curtis teams up with twin sister vocalists to create a new genre: atmospheric New-Age indie rock. This album is a gorgeously dense creation, full of layers and textures. Yet when I heard the Bells play an acoustic set on KEXP recently that stripped away all the effects, the songs held up.

“The Greatest Man That Ever Lived,” Weezer. Rivers puts on his Freddie Mercury hat and writes a 21st-century “Bohemian Rhapsody.” Good luck not singing along with the chorus.


Biggest disappointments of the year:
Indiana Jones and the Kingdom of the Crystal Skull. Thanks for ruining yet another beloved franchise, George.

Chinese Democracy
, Guns N’ Roses. We waited 11 years for this? It’s obvious Axl has a frustrated Stephen Sondheim hiding inside him. I just wish he wouldn’t put the G N’ R name on that stuff.

Less than 100 people showing up for Matthew Sweet’s October show at the Fox Theater. That’s just sad.

5.19.2008

Summertime

This past week, Entertainment Weekly ran a small piece trying to predict what the “summer jams” of 2008 will be. A lot of mainstream music mags and websites generally do something along these lines around this time of year, and most lists are fairly predictable themselves. They will almost always include: 1 rap song with mail-order beats, tired references to how much money, cars and women the rapper has, and an incredibly annoying and repetitive hook; either a crappy Top 40 band masquerading as “punk” or “emo,” or some marginally “alternative” band slipped in by the editors in a desperate effort to hang on to whatever shreds of cred they might have once had; and inevitably, the list will be topped off by the current overproduced mess from the R&B or pop starlet of the moment, who 90% of the time can’t hit the high notes without the aid of pitch bending software. In recent summers, we’ve been treated to Rihanna, Beyonce, Avril, and Britney. This year, EW gives us three options: Mariah Carey (OK, she’s got a real voice), Fergie (absolutely hopeless without Pro Tools), and the coup de grace, Maroon 5 (kings of pitch shifting themselves) featuring Rihanna. Double the Pro Tools action, double the summer jam potential, apparently. Well, screw all that. If you can’t sing without a computer to help you, there’s no way you should be making money as a singer. But good luck trying to convince whoever is buying the iTunes Top 20 every week of that fact (I’m looking at you, High School Musical fans). Luckily for me, I haven’t crossed into that territory in many many years, and in that spirit, here’s my anti-summer jam mix. Perfect for rocking your Memorial Day picnic.

I Will Possess Your Heart… Death Cab for Cutie
Orange Crush… Editors
Grounds For Divorce… Elbow
Violet Hill… Coldplay*
Living Well Is The Best Revenge… R.E.M.
The Righteous Path… Drive-By Truckers
Rich Kid Blues… The Raconteurs
Just Like Heaven… The Watson Twins
Outfit [Live]… Jason Isbell & The 400 Unit
I Like What You Say… Nada Surf
I Thought I Saw Your Face Today… She & Him
M79… Vampire Weekend
Lights Out For Darker Skies… British Sea Power
The Light… Sun Kil Moon
Shooting Star… Air Traffic
One Day Like This… Elbow

*Full disclosure: Coldplay is treading dangerously close to falling into one or two of the categories I listed above (for that matter, Death Cab’s not far behind), and I’m not 100% sold on the quality of this, their new single. But I’m going to give them the benefit of the doubt until I hear the new album. Plus, c’mon, it’s Coldplay. They’ll be impossible to avoid in a few weeks anyway. Might as well start assimilating now.

9.22.2005

A two-goal lead is the most dangerous score in soccer.

Don't ask me why, but this has been the prevailing wisdom among coaches since before I started playing futbol all the way back in 1978. Apparently, teams tend to mentally relax and give up soft goals, and it happens often enough that the idea keeps kicking around (yes, pun intended). DC United did a good job of proving this nugget of wisdom this evening in the second game of their home-and-home series against Universidad Católica in the Copa Sudamericana, South America's club tournament. United is the first MLS team ever to participate (but not the first North American team; Mexican League teams have been involved before). United and Catolica tied 1-1 in the first match in DC, and because these series are decided by aggregate scoring, a win tonight would have put DC through to the next round. If they tied, the score needed to be at least 1-1, because goals scored away from home are the first tiebreaker. After 20 minutes of rather shaky soccer, United got off to a dream start, with Christian Gomez (above) scoring two quick goals to give them what seemed to be a comfortable margin. But Catolica pulled one goal back before halftime, and DC spent the entire 2nd half fighting against an erratic referee, hard fouls, injuries, cramps, and a general lack of defensive shape before finally surrendering two late goals that ended their run in the tournament. I'm not making excuses for them, because they deserved to lose this game. The players are probably relieved, because these matches happen to fall right during the MLS playoff push, so the timing couldn't have been much worse. But no matter what the situation, watching the Black and Red give up a lead like that is always painful, especially in a game where they had something to prove.

I bought some new music from the iTunes store tonight, and in both cases donated to charity at the same time. All the proceeds from Coldplay's Fix You EP are being donated to Hurricane Katrina relief funds, and Help: A Day in the Life supports the War Child charity, which works towards improving conditions for children in war-ravaged countries. It's great collections of songs from some of my favorite British artists. Radiohead, Coldplay, Keane, Elbow, Bloc Party, and the Magic Numbers are just a few of the contributors.

4.04.2005

Twelve more vein openers

Again, we return to ugo.com for the artwork and track list for the new Coldplay album. It's called X&Y, and it will be out on June 6th. I wonder if this one will be any cheerier than their last two. The release date has been pushed back twice, probably because it's safer to release their albums during bright and sunny times of year. Don't want any mass spikes in the suicide rate of their fans.

I've got the NCAA Final on in the background. I don't really care much about the outcome, except that if Illinois wins, I win two of my pools. So go Illini, I guess.

Got the new Paste magazine yesterday, and I've been listening to the included CD tonight. There's some good stuff on there from Doves, The Decemberists, Mark Geary, Glen Phillips, M. Ward, and Hammock. But the biggest surprise is Deana Carter, who previously fell into the Shania Twain/Faith Hill category of pop country songstress. Her track, "Atlanta & Birmingham" from her upcoming album The Story of My Life shows a surprising depth and grit that makes me curious to hear more. Since every one of these Paste discs results in me buying a couple of CDs, I'd say Glen Phillips and Hammock are my first choices. But if I'm feeling adventurous, I might give the story of Deana's life a try.

3.23.2005

Odds and Ends

My concert future is starting to look very bright. Just got tickets for my brother and I to see Gift of Gab and Lateef the Truth Speaker from Blackalicious in two weeks. Ben Folds is going to be here the first weekend in May, and the week after I'm heading up to Chicago to see Doves. Add in back to back U2 shows in October, and I've got a pretty good stretch coming up. Hopefully, there will be a few more to fill in this summer. I'd love to see Coldplay, Stereophonics and Elbow if they get over to the US this year.

Todd passed this along from Kottke.org. It's a pretty ballsy example of culture jamming, which just happens to be the last chapter I read in Naomi Klein's excellent book, No Logo, a look at globalization and the growth of corporate conglomerates that spun into a movement (and of course, requisite website). I forgot how much I was enjoying that book before I got sucked into Gormenghast, so I've added it to my sidebar. And no, the irony of linking to her book for sale on a giant corporate conglomerate website is not lost on me. If you want to buy it, try your local bookstore, as long as Barnes & Noble hasn't squashed them out of business. (Steps off soapbox.)

And finally, apparently, laughter really is the best medicine. Well, maybe not the best, but good enough for a physician in India to start a laughing club 10 years ago and for the idea to spread to the US. That's funny stuff, people.