On a Saturday evening few months ago, I saw Ra Ra Riot at the Westword Music Showcase, and I don’t remember being all that impressed. Granted, it had been a long day of standing outside in the sun, and the crowds had been full of annoying douchebags who apparently only came to hold shouted conversations over the music, so my tolerance level was pretty low. I remember thinking RRR might have some promise, but I wasn’t really in much of a mood to give a new band a chance that day. Well, after listening to The Rhumb Line for the first time this weekend, I won’t make that mistake twice. This album has pretty much been on repeat since I downloaded it—at home, at work, on my iPod while I work out—and while I can’t exactly pin down what it is I enjoy about it so much, it really struck a chord with me. The closest I can come to describing their sound is like a darker Vampire Weekend without the Afro-Pop influence. The strings (in this case, violin and cello) are central to RRR’s sound, and I think that’s part of it for me. I’ve gotten into larger bands that use strings (like Arcade Fire and Margot & the Nuclear So and So’s) in recent years, and I’ve always loved Mark Mothersbaugh’s chamber-pop-ish scores to Wes Anderson’s films, so it makes sense that a large part of why I love Ra Ra Riot is that they seem to be influenced by all of that music, but have taken that influence to its next logical step.
I could go on, but I feel like I’m not coming close to doing the music justice with my description, so just have a listen for yourself.
“Dying Is Fine” (mp3)
“Ghost Under Rocks” (video)
2 comments:
Thanks for the MP3 and video. I had not listened to them. Pretty good stuff.
Glad you like them. I'm going to try to include links to actual music in the future as much as I can, so that you don't have to just take my word for it that a band is good. ;)
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